I set out with the aim of photographing the landscape, but also to photograph – if possible – something just beneath the surface.
Raymond Moore put it rather eloquently: “the no-man’s land between the real and the fantasy”
I set out with the aim of photographing the landscape, but also to photograph – if possible – something just beneath the surface.
Raymond Moore put it rather eloquently: “the no-man’s land between the real and the fantasy”